Four scores by Italian composer Gaspare Spontini (1774-1851) have been discovered in the library of the Ursel Castle in Hingene, Belgium. Among them are three long lost operas, Il quadro parlante, Il geloso e l’audace and Le metamorfosi di Pasquale ossia Farsa as well as the cantata L’eccelsa gara. Presumably the music was brought there via the descendants of Spontini’s wife Céleste Erard. Now, a research group from the Royal Antwerp Conservatory will analyze the scores and prepare them for eventual performance and recording.
Italian conductor Fabio Luisi (*1959), who was scheduled to become chief conductor of the Danish Radio Symphony in Copenhagen in 2017, will start his job earlier than planned, on 1 September 2016.
Herr Kolber, die ‘Schumanniade’ ist ein ganz besonderes Festival und findet auf dem sogenannten ‘Mutferter Haff’, also dem ‘Moutforter Hof’ statt. Was ist das genau?
Ungewöhnlich ist der Ort, an dem das Festival stattfindet. Die Konzerte finden effektiv in der Pferdemanege des Hofes statt. Diese wird mit Holzplatten ausgelegt und so hergerichtet, dass jeder Zuhörer die Musik genießen kann. Read More →
Der italienische Pianist Christian Leotta spielt Ludwig van Beethovens 33 Diabelli-Variationen op. 120 mit dem hohen künstlerischen Anspruch, den das Meisterwerk verdient. Er fügt eine Variation nahtlos an die andere, erzeugt also ein geschlossenes Ganzes, und der Hörer nimmt dennoch jede Zäsur wahr, weil der Pianist jeder Variation ihren ganz eigenen Charakter gibt, so, dass die einzelnen Teile deutlich voneinander abgehoben werden. Read More →
Ich hatte vor Jahren das Glück, einer Vorstellung der Uraufführungsserie von John Coriglianos Oper ‘The Ghosts of Versailles’ in der wundervollen Inszenierung von Colin Graham an der New Yorker Met beizuwohnen. Unter der Leitung von James Levine sangen damals Teresa Stratas, Marilyn Horne, eine ganz junge Renée Fleming, Gino Quilico, Hakan Hagegard und Graham Clark. Ein Mitschnitt einer späteren Aufführung ist auf DVD herausgekommen. Read More →
The employees of the National Opera in Paris are on strike, again and again! The performance of Verdi’s Aida scheduled for today, Tuesday 28 June 2016 at 7:30 pm at the Opera Bastille is cancelled. The management apologises and propose either a ticket exchange for another performance of the same production, or a refund.
First Unitarian Congregational Society in Brooklyn Heights, New York hosted the first concert of the Refugee Orchestra Project conceived by conductor Lidiya Yankovskaya. On the dedicated website one can read: « Lidiya Yankovskaya realized in the wake of the Syrian refugee crisis that many of her own closest colleague and friends were not aware that she and many others like her had come to the U.S. as refugees to seek asylum from violence and persecution abroad. Due to the traumatic nature of their experience, refugees are often hesitant to speak openly about their history, and it is common for people to be unaware that their neighbors, coworkers, and friends have been taken in by the United States as refugees at a time of crisis. »
Nicolas Mansfield, Manager of the Dutch Touring Opera in Enschede will soon have its own Brexit. The newspaper Turantia reports that the Brit who lives in the Netherlands for 28 years, has applied on Monday morning for the Dutch nationality.
The Department Council of Val-d’Oise (Ile-de-France Region) has voted a budget of €600,000 to support various festivals, including three devoted to classical music. Among the beneficiariesare the Baroque festival of Pontoise, the Royaumont Festival and the Festival of Auvers-sur-Oise.
Belgian musicologist Harry Halbreich died yesterday at the age of 85. Born in 1931 in Berlin, he studied with Arthur Honegger and Olivier Messiaen. From 1970 to 1976 he was Lecturer in Musical Analysis at the Royal Conservatory in Mons. He worked on numerous radio broadcasts and co-founded the Belgian music magazine Crescendo for which he has been major contributor. He wrote books on Olivier Messiaen, Claude Debussy, Arthur Honegger and Bohuslav Martinu and set up musical catalogues of the works of Honegger and Martinu.