This exciting book* should not be called ‘Shoot the conductor’ but ‘Shoot this conductor’, since it does not question the role of the conductor, quite to the contrary. The book is about a violinist who desperately wanted to be a conductor and worked as a concertmaster for conductors who were determined to prevent him stepping on the podium. Read More →

Chinese pianist Zhu Xiao Mei* won an ICMA Special Award 2015 with her Bach recordings for Accentus Music**. ICMA Jury member Nicola Catto has made the following interview with her.

I read in your autobiography that “the search for a proper tempo is not confined to the world of music; one must seek it in life as well”. What does it mean?
The question is very intellectual, but I will answer in a simple way. It takes time to find the good tempo: if you play five years, you’ll find it. It is a very important matter, if you have a wrong tempo, people will not follow you. You must be neutral, and this pursue will always be a long one. Read More →

Chinese pianist Zhu Xiao Mei* won an ICMA Special Award 2015 with her Bach recordings for Accentus**. ICMA Jury member Nicola Catto has made the following interview with her. Read More →

Approximatively 5% of listeners experience very intense emotional feelings while listening to music. Luke Harrison and Psyche Loui from the Department of Psychology, Wesleyan University, Middletown, CT, USA just published their results in an article „Thrills, chills, frissons, and skin orgasms: toward an integrative model of transcendent psychophysiological experiences in music“. Read More →

Czech pianist Ivan Moravec has died in his native town Prague, aged 84. His career spans nearly half a century. He was a pupil of Arturo Benedetti Michelangeli. His career was launched in 1964 after concerts with the Cleveland Orchestra and George Szell. He excelled in the works of Chopin, romantic composers and Czech music. The Jury of the Cannes Classical Awards (today known as ICMA Jury) honored the musician with the Lifetime Achievement Award in 2002. Read More →

Canadian tenor Jon Vickers has died at the age of 88. His family published the following message: « It is with great sadness that we announce the passing of our father, Jon Vickers, after a prolonged struggle with Alzheimer’s disease. He is survived by one sister, his five children, 11 grandchildren and two great grandchildren. His family and dearest friends remember him for his ringing laughter, warmth, and generous spirit. A man of the land who was the most at home on his farm, surrounded by nature and his family, he had an abiding search for the truths and essences of life. » Read More →

Two Boston based performing arts institutions have announced the signing of a memorandum of understanding (MOU) that paves the way toward an eventual merger. The presidents and trustees of The Boston Conservatory and Berklee College of Music have been exploring the benefits of an affiliation that would create the world’s most dynamic and comprehensive programs for music, dance, and theater education. A merger agreement could take effect in 2016. Read More →

Born in Moscow into a family with an established musical tradition, Alexander Sitkovetzky came to study at the Menuhin School in London. Today, he is making a career as soloist and as chamber musician as well. As part of the cpo box with the symphonies and concertos by Andrzej Panufnik, his recording of the Violin Concerto received an ICMA Award in 2015. Alexander Sitkovetzky took part in the ICMA Gala Concert in Ankara, and at this occasion, Remy Franck made the following interview.

Mr. Sitkovetzky, your biography says that you have worked with Yehudi Menuhin and that you went to the Menuhin School. How did that happen?
I was very young, six or seven years old, when I met Yehudi Menuhin for the first time. He knew my family quite well. I am a third-generation musician in my family and he knew already Julian Sitkovetzky, my grand-father. He was a great, great violinist whose life was just cut way too short, and I think if he had lived on, he would have been known absolutely in the same category as David Oistrakh or Leonid Kogan. Read More →

At the World Federation of International Music Competitions, WFIMC, a new Governance system with one Board, comprising the President and six members, replaces the former two-tiered structure of a Bureau and Committee. After the first elections for this new Board, the Federation announced the appointment of Didier Schnorhk, Secretary General of the Geneva International Music Competition, as its new President. Schnorhk succeeds Glen Kwok (International Violin Competition of Indianapolis) who held the position for six years. In addition to the Board, a full time Secretary-General based in Geneva will take on the role of Chief Executive Officer. Following an extensive, international search, Benjamin Woodroffe (Melbourne International Chamber Music Competition) has been appointed as the new Secretary-General (www.wfimc.org).

By Robert Toft and Robert Meunier

The Italian Renaissance has given us great music as well as great art. But the music, particularly the solo songs from the early sixteenth century, have not received the attention they deserve. When they are performed today, they lack vitality, the passion and urgency of their lyrics being poorly served by an overly cautious, stilted and under-expressive performance style. By contrast, five hundred years ago, the art of singing passionately was rooted in oration, and singers modelled their art on that of the orator or actor. Read More →

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